Friday, October 30, 2009
Monday, October 19, 2009
Wednesday, June 3, 2009
For Hester
So here’s what I know about Iggy Pop, gleaned from movies and general pop culture participation:
He was in the movie Coffee and Cigarettes where he appears in one of the better vignettes with Tom Waits- they are sitting in a bar, (spoiler alert) drinking coffee and smoking cigarettes. Their conversation wanders all over, at one point Tom Waits tells Iggy Pop that he’s a doctor and delivered a baby on the way over. Iggy Pop is impressed, until he checks the jukebox and doesn’t find any of Tom’s music in it. Tom is dumbfounded and Iggy slinks away. I imagine he sort of slinks everywhere.
He also played an insane character in the “sequel” to The Crow, The Crow II: City of Angels. This was my first introduction to Iggy Pop aside from Lust for Life featured so brilliantly in Trainspotting and then sort of creepily, years later, in cruise commercial. He was most excellent at being the psychotic junkie, Curve, in The Crow II and that impression was firmly cemented in my memory. Heroin use being a pattern in his own life.
Iggy Pop unsettles me. I quite certain that this is not a unique or original reaction to him. But, I really like the way he unsettles me.
I know that he spent some time in mental hospital after his time with The Stooges. Right after he got out, his first call was to David Bowie. Because, really, who better to call? This is supposedly the fodder for Velvet Goldmine.
He is from Detroit.
His first foray into music started with blues and jazz, naturally, he was living in the birthplace of Motown at the height of its heyday. His high school band, The Iguanas, spawned his name.
Richard Avedon captures him, stereotypically but perfectly: shirtless, ropey armed, hollow eyed and sneering, leathery, blonde.
I don’t really listen to Iggy Pop. Not regularly. I know Lust for Life, I Wanna Be Your Dog, and my most favorite song by him: Success. I have toyed with playing Success as Matt and I exit the ceremony after our vows.
Most recently, I was driving back to work after a completing a long distance donation pickup and NPR was talking about Iggy Pop. He has a new album out. It is blues inspired. They played a clip. His voice, ragged and hard, came at me from the speakers. It was the perfect crossover. All the things I know and like about jazz and the blues, having seen the one-man play about Jelly Roll Morton- the man who claims to have invented jazz- how blues clubs are always portrayed in movies, the jazz and blues clubs I’ve been to in real life… melded completely in his rendition. I associate Iggy Pop with seediness, the underbelly of things and a tremendous amount of confidence. His life history and his exuberant performances lend themselves extremely well to my romantic idea of blues and jazz. His voice was almost tangible. I could feel it in my teeth. And again, I liked it. I like that Iggy Pop exists. That he is still doing things, perhaps tirelessly. Undoubtedly, tirelessly.
I have found that what I am most attracted to in life, in people, is unabashed excitement. The act of being thrilled is thrilling to me. If you are excited, jazzed, psyched, into something to the point of obsession, to fanaticism and you wanna tell me about it, chances are I will be into it too and also into you. I am bored, bored, bored by apathy, by the too cool, by the lukewarm reaction to someone else’s empassioned rant about their new favorite thing. I want the vulnerability of loving something, even if it’s weird, especially if it’s uncool or even creepy. If you are going to spend the energy getting hyped about it, I will damn sure expend the energy to listen.
That’s how I feel about Iggy Pop. I imagine him to be in a constant state of excitement, of curiosity, as evidenced by his jazz to blues to power punk inventor to glam rock back to blues and jazz musical trip. And for that, I will always be all about whatever he is all about.
He was in the movie Coffee and Cigarettes where he appears in one of the better vignettes with Tom Waits- they are sitting in a bar, (spoiler alert) drinking coffee and smoking cigarettes. Their conversation wanders all over, at one point Tom Waits tells Iggy Pop that he’s a doctor and delivered a baby on the way over. Iggy Pop is impressed, until he checks the jukebox and doesn’t find any of Tom’s music in it. Tom is dumbfounded and Iggy slinks away. I imagine he sort of slinks everywhere.
He also played an insane character in the “sequel” to The Crow, The Crow II: City of Angels. This was my first introduction to Iggy Pop aside from Lust for Life featured so brilliantly in Trainspotting and then sort of creepily, years later, in cruise commercial. He was most excellent at being the psychotic junkie, Curve, in The Crow II and that impression was firmly cemented in my memory. Heroin use being a pattern in his own life.
Iggy Pop unsettles me. I quite certain that this is not a unique or original reaction to him. But, I really like the way he unsettles me.
I know that he spent some time in mental hospital after his time with The Stooges. Right after he got out, his first call was to David Bowie. Because, really, who better to call? This is supposedly the fodder for Velvet Goldmine.
He is from Detroit.
His first foray into music started with blues and jazz, naturally, he was living in the birthplace of Motown at the height of its heyday. His high school band, The Iguanas, spawned his name.
Richard Avedon captures him, stereotypically but perfectly: shirtless, ropey armed, hollow eyed and sneering, leathery, blonde.
I don’t really listen to Iggy Pop. Not regularly. I know Lust for Life, I Wanna Be Your Dog, and my most favorite song by him: Success. I have toyed with playing Success as Matt and I exit the ceremony after our vows.
Most recently, I was driving back to work after a completing a long distance donation pickup and NPR was talking about Iggy Pop. He has a new album out. It is blues inspired. They played a clip. His voice, ragged and hard, came at me from the speakers. It was the perfect crossover. All the things I know and like about jazz and the blues, having seen the one-man play about Jelly Roll Morton- the man who claims to have invented jazz- how blues clubs are always portrayed in movies, the jazz and blues clubs I’ve been to in real life… melded completely in his rendition. I associate Iggy Pop with seediness, the underbelly of things and a tremendous amount of confidence. His life history and his exuberant performances lend themselves extremely well to my romantic idea of blues and jazz. His voice was almost tangible. I could feel it in my teeth. And again, I liked it. I like that Iggy Pop exists. That he is still doing things, perhaps tirelessly. Undoubtedly, tirelessly.
I have found that what I am most attracted to in life, in people, is unabashed excitement. The act of being thrilled is thrilling to me. If you are excited, jazzed, psyched, into something to the point of obsession, to fanaticism and you wanna tell me about it, chances are I will be into it too and also into you. I am bored, bored, bored by apathy, by the too cool, by the lukewarm reaction to someone else’s empassioned rant about their new favorite thing. I want the vulnerability of loving something, even if it’s weird, especially if it’s uncool or even creepy. If you are going to spend the energy getting hyped about it, I will damn sure expend the energy to listen.
That’s how I feel about Iggy Pop. I imagine him to be in a constant state of excitement, of curiosity, as evidenced by his jazz to blues to power punk inventor to glam rock back to blues and jazz musical trip. And for that, I will always be all about whatever he is all about.
Monday, March 9, 2009
Bad Idea
Part one of a series:
Matt listens to NPR every morning while he gets ready for work and has remarked on numerous occasions how bummed out he gets what with all the economic doom and gloom reporting. And rightly so, things are pretty bad out there. I have heard this same sentiment for more than one person.
Here is my suggestion: turn listening to the morning news into a drinking game. Invite your friends over for poparts and whiskey, take a drink everytime you hear "downturn," "economic crisis" or "unemployment rates."
Maybe not the best thing to do if you still have a job and want to keep it, however.
Matt listens to NPR every morning while he gets ready for work and has remarked on numerous occasions how bummed out he gets what with all the economic doom and gloom reporting. And rightly so, things are pretty bad out there. I have heard this same sentiment for more than one person.
Here is my suggestion: turn listening to the morning news into a drinking game. Invite your friends over for poparts and whiskey, take a drink everytime you hear "downturn," "economic crisis" or "unemployment rates."
Maybe not the best thing to do if you still have a job and want to keep it, however.
Friday, January 16, 2009
Chelsea Hotel, Leonard Cohen
I remember you well in the Chelsea Hotel,
you were talking so brave and so sweet;
giving me head on the unmade bed,
while the limousines wait in the street.
And those were the reasons, and that was New York,
we were running for the money and the flesh;
and that was called love for the workers in song,
probably still is for those of them left.
But you got away, didn't you babe,
you just turned your back on the crowd.
You got away, I never once heard you say:
"I need you, I don't need you,
I need you, I don't need you,"--
and all of that jiving around.
I remember you well in the Chelsea Hotel,
you were famous, your heart was a legend.
You told me again you preferred handsome men,
but for me you would make an exception.
And clenching your fists for the ones like us
who are oppressed by figures of beauty,
you fixed yourself, you said: "Well, never mind,
we are ugly , but we have the music."
But you got away, didn't you babe,
you just turned your back on the crowd.
You got away, I never once heard you say:
"I need you, I don't need you,
I need you, I don't need you,"--
and all of that jiving around.
I don't mean to suggest that I loved you the best;
I don't keep track of each fallen robin.
I remember you well in the Chelsea Hotel--
that's all, I don't even think of you that often.
you were talking so brave and so sweet;
giving me head on the unmade bed,
while the limousines wait in the street.
And those were the reasons, and that was New York,
we were running for the money and the flesh;
and that was called love for the workers in song,
probably still is for those of them left.
But you got away, didn't you babe,
you just turned your back on the crowd.
You got away, I never once heard you say:
"I need you, I don't need you,
I need you, I don't need you,"--
and all of that jiving around.
I remember you well in the Chelsea Hotel,
you were famous, your heart was a legend.
You told me again you preferred handsome men,
but for me you would make an exception.
And clenching your fists for the ones like us
who are oppressed by figures of beauty,
you fixed yourself, you said: "Well, never mind,
we are ugly , but we have the music."
But you got away, didn't you babe,
you just turned your back on the crowd.
You got away, I never once heard you say:
"I need you, I don't need you,
I need you, I don't need you,"--
and all of that jiving around.
I don't mean to suggest that I loved you the best;
I don't keep track of each fallen robin.
I remember you well in the Chelsea Hotel--
that's all, I don't even think of you that often.
Monday, November 24, 2008
My favorite words associated with the Southwest
Prickly Pear
Ocotillo
Agave
Creosote
green chile
Saguaro
monsoon season
cactus ear
Life Coach
Ocotillo
Agave
Creosote
green chile
Saguaro
monsoon season
cactus ear
Life Coach
Subscribe to:
Posts (Atom)